“Oh, there you ARE! I thought I’d better come and see, so that we can fetch you at lunch time.—You’ve got a seat? Are you quite comfortable? Is there anything I could get you? Why, you’re in a non–smoker!—But that doesn’t matter, everybody will smoke. Are you sure you have everything? Oh, but wait just one moment—”

It was Francis, long and elegant, with his straight shoulders and his coat buttoned to show his waist, and his face so well–formed and so modern. So modern, altogether. His voice was pleasantly modulated, and never hurried. He now looked as if a thought had struck him. He put a finger to his brow, and hastened back to his own carriage. In a minute, he returned with a new London literary magazine.

“Something to read—I shall have to FLY—See you at lunch,” and he had turned and elegantly hastened, but not too fast, back to his carriage. The porter was holding the door for him. So Francis looked pleasantly hurried, but by no means rushed. Oh, dear, no. He took his time. It was not for him to bolt and scramble like a mere Italian.

The people in Aaron’s carriage had watched the apparition of the elegant youth intently. For them, he was a being from another sphere —no doubt a young milordo with power wealth, and glamorous life behind him. Which was just what Francis intended to convey. So handsome—so very, very impressive in all his elegant calm showiness. He made made such a bella figura. It was just what the Italians loved. Those in the first class regions thought he might even be an Italian, he was so attractive.

The train in motion, the many Italian eyes in the carriage studied Aaron. He, too, was good–looking. But by no means as fascinating as the young milordo. Not half as sympathetic. No good at all at playing a role. Probably a servant of the young signori.

Aaron stared out of the window, and played the one single British role left to him, that of ignoring his neighbours, isolating himself in their midst, and minding his own business. Upon this insular trick our greatness and our predominance depends—such as it is. Yes, they might look at him. They might think him a servant or what they liked. But he was inaccessible to them. He isolated himself upon himself, and there remained.

It was a lovely day, a lovely, lovely day of early autumn. Over the great plain of Lombardy a magnificent blue sky glowed like mid–summer, the sun shone strong. The great plain, with its great stripes of cultivation—without hedges or boundaries—–how beautiful it was! Sometimes he saw oxen ploughing. Sometimes. Oh, so beautiful, teams of eight, or ten, even of twelve pale, great soft oxen in procession, ploughing the dark velvety earth, a driver with a great whip at their head, a man far behind holding the plough–shafts. Beautiful the soft, soft plunging motion of oxen moving forwards. Beautiful the strange, snaky lifting of the muzzles, the swaying of the sharp horns. And the soft, soft crawling motion of a team of oxen, so invisible, almost, yet so inevitable. Now and again straight canals of water flashed blue. Now and again the great lines of grey–silvery poplars rose and made avenues or lovely grey airy quadrangles across the plain. Their top boughs were spangled with gold and green leaf. Sometimes the vine– leaves were gold and red, a patterning. And the great square farm– homesteads, white, red–roofed, with their out–buildings, stood naked amid the lands, without screen or softening. There was something big and exposed about it all. No more the cosy English ambushed life, no longer the cosy littleness of the landscape. A bigness—and nothing to shelter the unshrinking spirit. It was all exposed, exposed to the sweep of plain, to the high, strong sky, and to human gaze. A kind of boldness, an indifference. Aaron was impressed and fascinated. He looked with new interest at the Italians in the carriage with him—for this same boldness and indifference and exposed gesture. And he found it in them, too. And again it fascinated him. It seemed so much bigger, as if the walls of life had fallen. Nay, the walls of English life will have to fall.

“Then you don’t think I’ll see him again?”

“l fear not.”

“Then what has happened to him?”

“You will leave that question in my hands. I should like an accurate description of him and any letters of his which you can spare.”

“I advertised for him in last Saturday’s Chronicle,” said she. “Here is the slip and here are four letters from him.”

“Thank you. And your address?”

“No. 31 Lyon Place, Camberwell.”

“Mr. Angel’s address you never had, I understand. Where is your father’s place of business?”

“He travels for Westhouse & Marbank, the great claret importers of Fenchurch Street.”

“Thank you. You have made your statement very clearly. You will leave the papers here, and remember the advice which I have given you. Let the whole incident be a sealed book, and do not allow it to affect your life.”

“You are very kind, Mr. Holmes, but I cannot do that. I shall be true to Hosmer. He shall find me ready when he comes back.”

For all the preposterous hat and the vacuous face, there was something noble in the simple faith of our visitor which compelled our respect. She laid her little bundle of papers upon the table and went her way, with a promise to come again whenever she might be summoned.

Sherlock Holmes sat silent for a few minutes with his fingertips still pressed together, his legs stretched out in front of him, and his gaze directed upward to the ceiling. Then he took down from the rack the old and oily clay pipe, which was to him as a counsellor, and, having lit it, he leaned back in his chair, with the thick blue cloud-wreaths spinning up from him, and a look of infinite languor in his face.

“Quite an interesting study, that maiden,” he observed. “I found her more interesting than her little problem, which, by the way, is rather a trite one. You will find parallel cases, if you consult my index, in Andover in ‘77, and there was something of the sort at The Hague last year. Old as is the idea, however, there were one or two details which were new to me. But the maiden herself was most instructive.”

“You appeared to read a good deal upon her which was quite invisible to me,” I remarked.

“Not invisible but unnoticed, Watson. You did not know where to look, and so you missed all that was important. I can never bring you to realize the importance of sleeves, the suggestiveness of thumb-nails, or the great issues that may hang from a boot-lace. Now, what did you gather from that woman’s appearance? Describe it.”

“Well, she had a slate-coloured, broad-brimmed straw hat, with a feather of a brickish red. Her jacket was black, with black beads sewn upon it, and a fringe of little black jet ornaments. Her dress was brown, rather darker than coffee colour, with a little purple plush at the neck and sleeves. Her gloves were grayish and were worn through at the right forefinger. Her boots I didn’t observe. She had small round, hanging gold earrings, and a general air of being fairly well-to-do in a vulgar, comfortable, easy-going way.”